Often your investigative pieces, like interesting textures or structures, will involve a lot of small samples and clippings. Rather than presenting your works in a ring binder-style setting, you'll probably end up with loose sheets and works stacked together securely inside.Ĭollage loose supplemental items together and glue them onto good paper. If you have larger pieces, like paintings, you may want to invest in a portfolio, which is larger and intended more for transporting works than for presenting them.They are literally meant to "present" your work, so they're probably your best option if you're just starting out.>
#Fashion art portfolio zip#
#Fashion art portfolio professional#
You may want to invest in a nicer case if you are presenting your portfolio in a professional setting. The case should be neat and clean, but if you're a student, it doesn't need to be high end as long as it is functional and effectively displays or stores your works.
Which one you need will depend on the pieces you’re presenting. You can find both portfolios and presentation cases online or at good art supply stores, especially if you already live near an art or design school. This will illustrate that you are able to work with several different materials and in several different styles.īuy or find a portfolio or presentation case. You should also include one to two pieces that show off your ability to work with a different material, like silk or jersey. For example, maybe you have two pieces that showcase your ability to work with leather. You shouldn’t include more than two pieces from one style or approach.
You definitely want to include your best work in your portfolio. Ideally, that person should be a mentor, such as a teacher or someone close to you, who has some experience with building portfolios and can provide feedback on how effective your ideas will be. Show or explain your idea to someone who has worked with you throughout your creative development.You may create a diagram or an outline to illustrate why you organized your pieces in a certain way. Play around with different arrangements and think about how each arrangement affects how your works will be perceived. Don't just think about what your storyline is: assess how each part fits into that story.The point of this step is to make sure that you've maximized the presentation of your work and that all the parts will be as clear to an outsider as they are to you. Before you know it, you're overwhelmed by everything you didn't plan for. As with any project, it's easy to become so enthusiastic about an idea that you don't really plan out how you're going to execute it. Write an explanation to show how you want to organize your work. Note that for professional portfolios, you should arrange your work with the most recent pieces first and put older material in the back.If you're really unsure about this, just stick with something simple, like presenting your most recent work at the front to capture the viewer and then dedicating the rest of the portfolio to showing how you got there.
Remember that whatever you come up with, it should be clear to a viewer what you’re trying to communicate.Do you want to tell a story, showing the links between the different angles you have explored? Do you prefer the simplicity of chronological or reverse chronological order? Think about the work that you've done and see if there are any particular connections that you want to highlight.Ultimately, you need an organizational principle because you'll have to choose how you want to present those projects. So, for example, if you explored organic structures like feathers and leaves for one project and tribal or folk art for another, try to keep the various parts of those projects together.
Whatever you do, you should probably try to keep different parts of one project together as much as possible.
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